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Showing posts with label Bo Diddely. Show all posts
Showing posts with label Bo Diddely. Show all posts

Friday, September 3, 2010

Bo Diddely and Clapton - Digital Pencil, Watercolor, Pen


I was browsing with Picasa 3 for a photo-
graph to work on today and ran across this one of Bo Diddely and Clapton playing a venue.

I used Paint.NET to turn it into a pencil drawing using Effects> Artistic> Pencil after I had lightened the photo-
graph in PhotoPaint with the Tone Curve tool.

I opened it in Painter 8 and used the Digital Watercolors brushes on it to paint the bulk of the background and basic colors of the clothing. I switched to a Ballpoint pen for some enhancements to the color. I am not taking credit for this work because I don't really know where the photograph came from, and I can't give the credit to the photographer as I would like. If you recognize this please post a comment giving them credit or write me so I can update this post. Thank you for looking!

Thursday, April 23, 2009

Cigar Box Guitar - Bo Diddely


With a distinctive rectangular shaped guitar Bo Diddely, Ellas McDaniel, gave much impetus to the bluesy rock and roll music of today. Nothing like the lute and its curvy back, light weight and delicate sounds Bo's guitar was an attack of using a single chord throughout an entire song. "Chunk a Chunk Chunk a Chunk Chunk" rhythm beat made his music unique and simple but memorable. Many of us have played the Bo Diddely style of guitar and sang that song of the same name. Less known was he also played the violin. (see below.)

What a blast playing that style, hard and rockin'. Fun to no end.

Wikipedia has quite the story to tell about his origins and his original sound. "Also an influential guitar player, he developed many special effects and other innovations in tone and attack. Bo Diddley's trademark instrument was the rectangular-bodied Gretsch nicknamed "The Twang Machine" (referred to as "cigar-box shaped" by music promoter Dick Clark). Although he had other similar-shaped guitars custom-made for him by other manufacturers, he fashioned this guitar himself around 1958 and wielded it in thousands of concerts over the years. In a 2005 interview on JJJ radio in Australia, Bo implied that the design sprang from an embarrassing moment. During an early gig, while jumping around on stage with a Gibson L5 guitar, he landed awkwardly hurting his groin.[16] [17] He then went about designing a smaller, less restrictive guitar that allowed him to keep jumping around on stage while still playing his guitar. He also played the violin, which is featured on his mournful instrumental "The Clock Strikes Twelve", a 12-bar blues.[18]"



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